His talent was awarded by many prices, including the prestigious Stipendium Pollock-Krasner Foundation in 2005. His Art is showcased at the Prague National Gallery, and many private and confidential Collections in Czech Republic, Italy, Germany and USA.

Milan HOUSER doesn’t paint in the true sense of the word, but pours coloured masses onto the horizontal canvas, which he divides into specific sections. They are called “chambers”. They do not form a completely accurate border, but the paint rather flows over them, pushing out and flooding in a slow sludge, with a streamy and sticky attraction. It then creates a new life to the painting, arising from the mixture, and the result is a large and non-predestined appearance. The result is a painting without gaps, equally dense and viscous, which gradually gets stuck and condensed, boggled down, into a soft homogeneity. The viewer is confronted with a painting, simultaneously elastic  stunningly colourful.